The Female Nude in Art
By: Helen Mc.Donald
There is no such thing as the ideal female body. Even the old masters would have agreed that an ideal is a concept not a thing. Some of the famous nudes in art history were thought to be near perfect configurations of the ideal female form. For instance, Venus de Milo was sculpted for the citizens of Ancient Greece according to the Classical ideal of bodily perfection, and nearly 2,000 years later, Botticelli’s Venus of Urbino was painted as a Renaissance version of this ideal for the Medici princes. Executed in a representational style, both works of art served for centuries as interpretations of the ideal, and were endlessly copied in art. Popular fashion and pornography provided a succession of specific cultural fantasies of the female body, which ran parallel to and intersected with this high-art industry. [download]
Format : Ebook.Pdf
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